Showing posts with label Shrine. Show all posts
Showing posts with label Shrine. Show all posts

Sunday, September 18, 2011

My Shrine (August 2011)

I removed the images from the photographs to protect privacy
So I've updated and moved my shrine. The previous location was too easy to overlook and became something of a cat highway.

On the left is a statue of The Morrigan by Maxine Miller, on the right a statue by Neil Sims of Kernunnos (I know how typical am I with The Morrigan and Kernunnos? I admit The Kernunnos statue appealed to me on aesthetics almost solely whereas The Morrigan felt more..firm? Either way I resisted both but feel like I'm behaving like a petulant 13 year old hipster in doing so, thus, the embracing shall commence!).

The tree in the center is a brass tree I inherited from my mother. The candle holder is salt with a homemade beeswax votive. The incense holder/storage box/burner was a gift from my brother. The three small bowls are stone and used to hold offerings to the Kindreds. The goblet is green and brown onyx. Above the photos is an incomplete representation of the Druid Sigil. I say incomplete because I prefer the version with vines around the circular 'wreath' of the symbol.

In future I'd like to add the vines I see as 'missing'. Perhaps in tandem with the achivement of goals along this journey. I also need to add a photograph of my father as well as my baby nephew. I've thought about an altar cloth, something to mark the seasons or the upcoming High Day but for now at least I find it easier to keep clean and organized without one. I also hope to clear out the items in the chest supporting the shrine to store my incense and other offerings. Right now everything is a bit scattered around my room and work area in the back of the house. It bothers me that it's scattered not sure why, I kinda feel like it all ought to be centralized, neat and organized. Hmm.

I've also found that putting it in the new location has made me more aware, more mindful, and helped give me the boot in the butt to start some kind of dailyish practice. So far it consists of kneeling, lighting incense and praying - in VERY broad terms - to the Ancient Ones, the Noble Ones, and the Shining Ones.

I've also been diagnosed with a hole in my left eardrum and since that's probably been ongoing since June and according to my GP my right ear 'looks weird' (really not what you want to hear in an exam) I have an appointment with a specialist early next month, all of which leads me to this - I am hopeful that my continued semi effective rarely documented attempts at meditation will improve once the persistent ringing is addressed. I have no idea if any treatment or recovery is possible but at least I know it's not just in my head.

So, here's hoping I will be diligent in continuing my evening prayers and can get a handle on meditation. Maybe then I'll feel ready for my first Oath?

Saturday, May 21, 2011

How I Make Beeswax Votive Candles

I mentioned in my post about my shrine that I make my own beeswax candles. The process really isn't difficult and with a few tricks it's not too time consuming either, it is pretty messy but newspaper or a dedicated work area can compensate for that.

A word on measurements and temperatures. I don't measure anything for this, it's all strictly eye balled and it works pretty well for me. Feel free to take notes for your own reference the first time you do it :) I recommend keeping a notebook in your work area for such things. I've got tips and tricks I've picked up from the internet and my experimenting in mine.

Tools:
A cutting board or surface you don't mind beating up (or best of all both).
A knife and/or a grater
A double boiler
Stove top or hot plate (I use a double hot plate I picked up from Walmart)
A soup can
Mold for your votive (you can get these on ebay for pretty cheap, most large craft stores probably carry them as well. I use the very basic mold but you can find some that will let you run a wick out the bottom etc)
Clothespins
Heat proof gloves/oven mitt

Consumables/Supplies:
Water (for both the bottom and top of the double boiler)
Beeswax (I bought raw unrefined beeswax from a local supplier, I was charged a bit much as it was the middle of winter but I love the smell of raw beeswax, I'm pretty sure the larger craft stores will have beeswax available as well but it will almost certainly be refined.)
Wicks (please do use actual wicks, ebay is, again, a great source for these you can also get them from craft stores but they can be pricey. If you use anything other than a wick it likely won't burn well and will smoke etc.)

Note: If your beeswax is not pre-bought in beads or, like me, you bought blocks from an apiary/beekeeper you're going to need to either grate it or dice it into much smaller portions. The largest I would recommend is 1" but really think metric here and go for centimeter sized cubes, best of all is grating it but grating takes an ENORMOUS amount of time. Remember the smaller the pieces, the more surface area exposed to the heat source, the faster they'll melt. You can remove most of the wax from your tools by putting them in boiling water for a minute or two, or you can just accept that they're going to be covered in beeswax for the rest of their lives with you. :)

Dicing, or grating, the wax is a total pain in the butt up front but well worth it.  Be careful as the wax is dense and can be slightly sticky and hard to work with, you might want to use a heavy blade like a cleaver to break up the large pieces initially.

1. Prepare the work area. Put down newspaper or prepare to be anal retentive or sacrifice your work area to the wax. Beeswax, unlike paraffin wax, will not only cling to everything and cool to opaque but can be slightly sticky (mine certainly is but again it's unrefined so there's a fair bit of actual honey in it too) and in my experience almost never pops up in one clean piece, thus cleanup can be a complete nightmare if you don't take precautions.
An example of a double boiler, yours doesn't need to be nearly this nice, in fact the cheaper the better
2. Set up your double boiler. Fill the bottom portion about halfway with water, remember that the water is going to boil so leave room for the movement or be aware there's going to be spitting and spilling. I also put water in the upper portion to help conduct heat to the soup can. I've found that by adding water to the top portion of the boiler I cut the time to melt the wax in half. Yeah, in half.  

2. Start heating up your double boiler.

3. Place your soup can in the center of the top of the double boiler (or an even a smaller can depending on how many molds you've got and how many candles you're going to make).The can will probably float, adding wax will keep it stable.

If your double boiler has a lid go ahead and put it on, this will help trap heat and speed things along. I'd recommend a glass lid so you can keep an eye on the wax. My lid didn't come with the double boiler but I got both at a second hand shop and paid I think $1 for the glass lid (bonus of purchasing together; I was able to make sure the lid fit safely and reasonably securely).

4. Wait for the wax to liquefy. Stick around and don't leave the room, I haven't had wax boil over or do anything else dramatic but it's helpful to stir the lumps as it start to melt to spread the heat around. Also safety first, remember you've got a hot burner, boiling water, and soon to be melted wax all in one place so walking off is probably not the best idea. Small children and pets will find it, one of my cats has nearly sniffed liquid wax a few times, bless his little flat head.

An example of the super basic molds I use
5. Cut and place your wicks in the mold/s. This is again a process of eyeballing but I generally go for a length a little over 3" or so. I'll dip the wick in wax really quickly then let it harden enough to handle. Then I straighten it out and use a clothespin to hold the dipped wick vertically in the center of the mold (the clothespin sits on the top edges of the mold with the prepared wick dangling from it). You can set this up for several molds at once as long as you have enough clothespins. I usually do five molds in a row.

6. Use your heat safe gloves to pick up the can of wax and carefully pour liquid wax into the mold (I use garden gloves with rubberized palms and fingers for this but I would HIGHLY recommend a test run with anything you plan to use as it's possible that similar gloves to mine could get warm enough to melt etc and severely injure you, that said I prefer the garden gloves as the oven mitts lack some tactile grace). I like to flick the mold a few times to chase out air bubbles, you still may get them but it's not the end of the world if you do. You can always re-use the wax in another candle. I keep all my tailings etc to reuse.

You don't need to wait until all the wax in the container is melted, you can pour as it liquifies, but I would recommend leaving a good portion of liquid wax in the can in between pouring as the liquid wax helps spread and radiate heat and improves the speed of the melting process, bit like the water in the top of the boiler.

7. Rinse repeat until your molds are full.

8. Wait. You can carefully move your molds to a cooler area or simply leave them as is. Whatever the case it is going to take probably 3-5 hours for the candles to fully harden to a point where you can pop them out of the molds.

My work area is in our utility room which opens directly onto our fenced middle yard area so I usually move the full molds onto a small bench/table right outside the door. This is mostly to keep my clumsy self from knocking them over etc but the outdoors is usually cooler than the laundry room/work area even though I usually have the door open to let steam from the double boilers out.

Part of the reason I work there - aside from being the only really feasible location in the house to do so - is because of it's proximity to the outdoors. If something goes hugely wrong I can chuck the whole setup outside and grab the fire extinguisher by my knee and douse things down. So far I haven't needed to do either  :D

BAM finished product!
9. Free your candle from the mold! Once you've given the molds plenty of time to harden there are a couple ways you can pop the finished candle out. Like I said I use the cheapest most simplistic mold possible, think ice cube tray for wax, only the individual trays are separate.  Sometimes I can press my thumb to the edge of the candle in the mold and apply pressure inward toward the wick and loosen it enough that flipping it over will free the candle. Other times thwacking the bottom of the mold with one hand while holding it with the other will work, and occasionally I've had to kind of squash/roll the mold between both palms with a fair bit of force to get them loose enough to fall out. If all else fails leave it alone for a day and try again sometimes it just needs to harden a little more.

So far I've never had to resort to greasing the molds or forcing a tool between the candle and the inside of the mold to get the candle out but it's a possibility. I've seen internet sites recommending the use of vegetable oil or spray oil to prepare molds, I won't recommend it 'cause I've never tried it.

10. Trim your wicks. You can do this with a pair of scissors but I prefer to burn them off. I just light the wick and allow it to either burn up the excess or burn through it so that the excess falls off. If you have pets or small children around you may want to just snip it rather than give them ideas :D

That's it you're done.

Bare in mind there may be color variations in the candles if you're using raw unrefined beeswax. The top of the candles may also crack or be uneven or lumpy but this has never bothered me as it doesn't effect it's functionality:).

I prefer beeswax candles because they smell better, burn WAY longer, (seriously if you're trying to do something where you need to burn the candle completely go get a paraffin birthday cake candle 'cause you're going to be hating life with beeswax) and they burn with less soot than paraffin candles.

Happy candlemaking! Feel free to post any questions/concerns/observations etc as I'm always willing to learn. :)

Wednesday, May 18, 2011

My Shrine (May 2011)

My shrine is very simple right now and I don't feel an urge to expand on it yet. What I would like to see there in a few months time would be something representing my chosen hearth (which will likely be Celtic) and a symbol of my Patron deity (should she or he choose to reveal themselves to me by then).

The location is less than ideal. It is on a tallish dresser pushed against one wall between a bookshelf and a closet. I chose that location as I had few other locations that would work at the time but plan to find a better location in the future. My largest problem with the location now is that it's a bit high if I want to sit and pray etc near the shrine. My active and curious cats aren't terribly helpful either. I've managed to train them not to jump on it but I find myself absently placing mundane items on or near it as well, which annoys me.

I have a brass tree to represent as my world tree. It is particularly meaningful for me because it was purchased years ago when I was with my mother from a garage sale. I remember watching her clean and straighten it and then put it on display. It moved around our home through the years and was nearly given away a few times but always stayed around. My mother passed away in '06. So, when I started to think about setting up my home shrine I immediately thought of the little brass tree. It has thin brass leaves in a classic deciduous shape that flutter in drafts or when placed over a heat source, it's a very subtle and attractive movement.


You can see the edges of the photos at the top of this picture (iphone photo)

For the fire I have a pink/orange rock salt candle holder about as big as my fists put together. I usually use beeswax candles I've made myself in it, partly because beeswax will burn for a very long time and burn clean (which is ideal for indoor use) and partly because it feels more ...correct, more potent that way. I love the color of the candle holder, the necessity of salt for most animal life to be healthy and functional, and the value of salt in the past. When a candle burns within it, it will grow warm - never hot - and smell faintly of ozone.

For the well I have a green/brown onyx goblet about 3" high. I prefer stone to metal, the stone feels more correct and is more attractive as well. If it weren't for the powerful associations I have for my tree it would likely be made fromwood.

On the wall behind my shrine I have a photograph of my brother and sister-in-law. The picture was taken before their wedding and shows them both in traditional Japanese wedding garments. Adjacent to that is a photograph of my mother half hugging my other brother.The picture was taken when he was home on leave from the Marine Corps and surprised her while she was gardening. It's my favorite picture of her. I'd like to add a photograph of my father as well. While all but my mother are still living I appreciate having them close to my shrine.

I have three small stone bowls of similar sizes, that I use to offer mead and other liquids to the Ancestors, Spirits, and Deities. I also have an incense burner for incense offerings though I would prefer something more in keeping with the aesthetic. I am keeping an eye out for a stone or wood burner that appeals to me. The current one was a gift from my brother years ago so I appreciate that connection but the style is a bit jarring with the aesthetic of the rest of the items.

To the right of the shrine, on a short bookcase below the bookshelves hemming the shrine in one one side, I keep incense sticks, beeswax votive candles, a bottle of my favorite mead (seems appropriate to offer my favorite brand to the Kindreds, as I would share it with any other being I cared for), a butane lighter (the kind you can buy for barbecues) and a container of distilled water (I use distilled for the well and reuse the water). I'd like to figure out a better storage method in future, the current one is certainly convenient but it looks cluttered and invites feline mischief.

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